True detective season 1 rating
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Where last season took on Southern gothic, this season goes California noir. Stripped of all emotional baggage, including the often regrettable verbiage of its creator, “True Detective” is a sophisticated study of detective fiction that pits the genre’s sensational and often lurid tropes against their very real uses, themes and larger meanings. We say we’re talking about television, but often we are talking about ourselves. Not to mention our feelings about violence and sex and the social status of every demographic that is not “white male.” It’s not the show that matters so much as our feelings about the show, its stars and its creator. Increasingly, the actual series, or season, or (heaven save us from the micro-criticism of it all) episode, has become secondary in importance. So if you are wondering just when the hell I am going to review the show, well, that’s sort of my point. “It Doesn’t Take a ‘True Detective’ to See That Nic Pizzolatto Is a Schmuck” was just one headline in a conversation about whether or not Pizzolatto had learned from his mistakes. So when an overwrought profile in July’s Vanity Fair seemed constructed for scathing commentary, no one held back.
TRUE DETECTIVE SEASON 1 RATING TV
Pizzolatto, having created a challenging position (even Ryan Murphy keeps a lot of his cast for “American Horror Story,” and he’s been making TV for many years), made his life much harder by embracing his swagger-brand to the point that he responded to some of last year’s criticism in a highly dismissive way. Some concerns, however, reflected a more worrisome Consumer Reports mentality: Would this model integrate the improvements suggested by previous customers? In other words, would there be non-victimized women, fewer fey red herrings and a crime that made sense but also the magic that made fans of so many? Colin Farrell was certainly great in “In Bruges.” Who doesn’t love Rachel McAdams? And Taylor Kitsch was in “Friday Night Lights,” for heavens sake. Vince Vaughn? Well, it would be fabulous if he could pull a Bryan Cranston. The revelation of which was treated as if it were a breaking news event, and then pondered with panicked optimism for months.
TRUE DETECTIVE SEASON 1 RATING SERIES
Much of last year’s praise focused on the performances, but the highly ambitious anthology nature of the series requires a whole new story and a whole new cast. So fast did the pendulum swing that the second season has been heralded with trepidation. By the time the series ended, in a manner less than satisfactory to many, even the initially devout were hedging. Midway through the eight-episode season, people began criticizing the role of women (secondary, often victimized), the overblown nature of the supernatural elements and Rust’s sweaty philosophies. “True Detective” was, for a few minutes, the best show ever, and then, wait, maybe it wasn’t.
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As Rust Cohle, McConaughey made rambling monologues legendary while Harrelson proved, once again, that he is talented enough to steady even a crazy-boat made of dead women and antlers. Much of the HBO-viewing nation greeted the show’s steamy Louisiana locale, Cary Fukunaga’s moody direction and Pizzolatto’s mystical philosophy with something approaching ecstasy.
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He had written short stories for the Atlantic! He wrote each episode his own self because, as he told The Times last year, “I didn’t come to Hollywood to be subservient to anyone else’s vision”! He said things like “I didn’t come to Hollywood to be subservient to anyone else’s vision”! Even more important, creator Nic Pizzolatto became the TV auteur du jour.
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The first season of “True Detective” provided a primer to that alarming new television experience.įrom the moment it was announced that Woody Harrelson and Matthew McConaughey would star, all eyes were fixed.